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Andree Weschler
Performance Art, Site-Specific/Multidisciplinary
Andrée Weschler‘s artistic endeavours focus on using the physical body to explore the boundaries of acceptable social constructs. The performing body is used as a tool for discovery, often becoming material in itself. Her work also attempts to challenge the audience into reading her performance of bodily differences.

Born in France, she has been living and practicing her art in Asia since 1995. Her formative visual arts training were in Singapore, Australia and France. At Les Beaux Arts de Paris, she worked in the atelier of Annette Messager. Since 2000, she has been invited to participate in international art events in Asia and Europe. Her exhibition participations include The 4th Guangzhou Triennal China 2011, The Asian Pulse 10+1 Bangkok Culture & Art Center Bangkok Thailand 2011, The National Review of Live Art Glasgow Scotland 2009, ”The Park---The Contemporary Artists in Asia 2008” Related Art Exhibition of Yokohama Art Triennale Japan 2008, Eros-Arrows by the London Biennale 2004 England, International Eco-Environment Art Exhibition Seoul Arts Centre Art Gallery, Seoul, Korea 2002.

Her art practice encompasses Performance Art, Drawing, Video Art, Photography and Installation.
  • web
  • web2
  • thread
  • Prayer1
  • choochoo train
  • substation
  • close up
  • praying
  • eggs
  • performance
  • Innocence Title: Innocence, 2012 Media: Video installation with milk and honey Statement: 18th of July 2012 My father asked me today, as he looked deep into my eyes, if I knew what is the most important thing in life. I had an idea but I thought I’d better listen. He said that life is short; everything passes by so it is very important that I enjoy what I am doing, and please myself. I hope I will not forget this. This is why I wrote it down.
  • Innocence
  • Innocence
  • Innocence
  • Innocence
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